Showing posts with label Joel Savage interview. Show all posts
Showing posts with label Joel Savage interview. Show all posts

Friday, July 19, 2013

A Blue Million Books' interview with Joel Savage

Featured Author: Joel Savage



Thursday, July 18, 2013


Joel Savage, author of Overseas Chronicle—The Rome and Amsterdam Experience, is here today with Virtualbookworm Publishing to talk about the book and writing in general.

About the book:

The Roman Catholic priests continuously abused the young boys they had provided accommodation for, and in Amsterdam, the liberal laws on drugs have destroyed a lot of people so that there are walking dead on the streets.

In Amsterdam, the police have successfully impounded hundreds of kilos of drugs that are brought into the country through the airport Schiphol, yet marijuana and other harmful drugs find their way into the coffee shops for customers. Where do those drugs come from? Who is controlling it? The government, the army, the police, or the queen?


Tuesday, October 26, 2010

INTERVIEW: GREGORY ISAACS SPEAKS TO JOEL SAVAGE


The writer Joel Savage and Gregory Isaacs

The writer Joel Savage and Gregory Isaacs


Reggae superstar Gregory Isaacs has rocked the world with his countless hits in the field of reggae over the past thirty years. Known in Jamaica as “The Cool Ruler” due to his slow style of cool melodious love tunes, the star was born in 1951 in Kingston-Jamaica. 

Saturday, October 29, 2005

Manu Dibango speaks to Joel Savage


Joel Savage and Manu Dibango

Joel Savage and Manu Dibango


Manu Dibango is perhaps one of the world's best jazz saxophonists. A true international superstar, with a career starting from the '50s. At 15, he was sent to Paris to prepare for a professional career. 
 

He is a tireless globe-trotting musician. Last year, he played for hundreds of fans at the "Mano-Mundo festival" in Antwerp, and this year he was invited once again to play at the "Pole-pole festival" in Gent. Both cities are in Belgium. Now he speaks about his passion for music to me.
 

Joel: As an African musician, you have made such an enormous contribution to African music internationally. How do you feel about this achievement?
 

Manu: I'm glad I'm still in motion. I don't think of my past achievements. The most important thing is what I'm going to do tomorrow. I'm happy that I did what I did. Thanks be to God.
 

Joel: In 1972, your hit "Soul Makossa" stormed the world. Since then, you have still been on the music scene. What keeps you moving all these years?
 

Manu: Passion "La passion." What I would want African youths to have is passion. If you have the passion, you can easily accept suffering, and when there is no passion, you have to try to cultivate it. If you can't do that, then you can really bring out the best of yourself.
 

Joel: In 1985, you raised funds for the famine-stricken Ethiopia through your "Tam-tams for Ethiopia project" with Mory Kante and others. What do you feel about the present situation in Ethiopia?
 

Manu: Well, talking about Ethiopia is like talking about the whole African continent. A month ago, we played against AIDS and famine. We also played in Dakar. It is not only the music that is playing an important role in this issue of problems affecting Africa, but the activities of doctors, sportsmen, and journalists are also helping in various ways.
 

Joel: According to an international music magazine I read recently, you and the late Fela Anikulapo Kuti are among the world's best saxophonists. How do you feel about this?
 

Manu: It's interesting to hear that. You know that one doesn't play music for hours just to pass. But you play music because you are in love with music, and luckily, if it happens that people like what I'm proposing, then I'm happy. 
 

Although music is a business, you don't start thinking of money from the initial stages when you are in music. First, you propose to the people what they want, and if they like it, then the money comes later.
 

Joel: Last year, I watched you playing at the Mano-Mundo festival when the frenzied crowd called for more songs. What was your experience at that moment?
 

Manu: Well, you can see that I'm still in motion. It happens that you share the music with the audience. That is the best happiness an artist can have.
 

I'm not alone on stage but with a group of musicians. So the more the music is successful, the happier the audience feels about the music. It's the responsibility of an artist to make his or her fans happy. That is a proposition. I'm always talking about a proposition.
 

Joel: This question comes from one of your fans who lives in the United States of America. He said I must ask you the reason you do always play in Africa and Europe but not in the USA?
 

Manu: If they want me there, I will be there. I go to every country that wants Manu. I have management, and those who want me to play in contact with my management. I have played in Canada and some parts of South America. I lived in America for two years in the '70s. The most important thing is that they love my music.
 

Joel: This is another question from one of your fans. He said that when he was young, he heard that you sued Michael Jackson for using "Makossa" in his music without your permission. Is it true?
 

Manu: Yes, that is true. It is a long-time story from 1986. But the problem was solved a long time ago.
 

Joel: I believe that you are now in your seventies. What is the secret behind your fitness?
 

Manu: If I have a secret of what keeps me young, then definitely I'm going to sell it. (He laughed) I told you before. It's a passion.
 

Joel: In 1994, you released "The Rough Guide of Manu Dibango." What do you have in store for your numerous fans worldwide?
 

Manu: Well, at the moment I have a big band in France. The name is "Marabuti." We have big projects presently and in the future, and we are going to the studios probably in the autumn for recording.
 

Joel: Sir, thank you very much for this interview.
 

Thursday, December 02, 2004

The fall of Apartheid, I knew I was part of it in some way - Lucky Dube


Interview of Lucky Dube at Pole-pole Festival on July 4th, 2004, (Belgium) By JOEL SAVAGE

Interview of Lucky Dube at Pole-Pole Festival on July 4th, 2004, (Belgium) By JOEL SAVAGE



Lucky Dube is, no doubt, one of the best reggae artists the world has ever produced. His strong dissemination of melodic messages about racism, exploitation, and oppression has won him an acclamation all over the world. 


On July 4th, 2004, in Linkerover-Antwerp, after playing live, he granted this exclusive interview to the Voice Magazine Belgian Correspondent. Joel Savage
 

TV: When you started music at a young age, did you ever dream that one day your music would be widely accepted by reggae fans worldwide today?
 

Lucky: Well, I have an idea. Really, this was a dream for me. I wanted it to be like that, even though I wouldn't have a clear vision as to know how big it could be. But I have an idea, I wanted the music to reach people everywhere in the world.
 

TV: Many fans think that you are another Peter Tosh in the field of reggae, with strong lyrics of liberation. How do you react to this credit?
 

Lucky: It's a very great honour really, because Peter Tosh was the greatest musician that ever lived, and so I respect him so much, and to be given the same stage as he is a great honour to me. I do really appreciate that.
 

TV: On one of your albums, "Soul Taker," there is a special track called "Teach the World". Please, what inspired you to write such a great song?
 

Lucky: Well, "Teach the World" started actually because when we go around, there are a lot of things that we see and people from different countries, different cultures, and everything. But only to find out that people don't know much about Africa. 
 

They have some mis-speculations about Africa and just wanted people to teach each other. People in Africa must teach the outside world about their culture, beliefs, and everything, and want the outside world to teach Africa about its culture.
 

TV: You fought against apartheid in your songs. How did you feel ten years ago, to see apartheid falling like the Berlin Wall in 1989?
 

Lucky: It was great because it was the biggest dream I had at that time. So I was very happy when it finally happened. I knew I was part of it in some way. So I was very happy when it happened.
 

TV: You played in Washington DC, on September 20, 2000, with Joseph Hill's Culture. What was your experience with that group, since Joseph's message in the music is in line with yours?
 

Lucky: Well, it has been great with Joseph Hill. You know I have done many concerts with him. He is one of the good men in the music industry.
 

TV: Being a South African, you have visited many African countries. Have you ever visited war-torn countries like Sierra Leone and Liberia, since you have thousands of fans over there?
 

Lucky: Yes, we have visited those countries.

TV: That's great to hear that.
 

TV: Reggae in jail, reggae in church, everybody likes it. That's a true statement by you. But why is it that reggae music is given less attention than any other music? Is it because of its strong message?
 

Have a copy of this great book to read the interviews of your favourite reggae and African artists.

https://www.amazon.com/Passion-Reggae-African-Music-ebook/dp/B013L9A1JQ?