Unprotected sex quickly develops into pregnancy among teenagers
Teenage pregnancy has been a national phenomenon, affecting every country's economy, development, and educational sector.
It was once thought to be a "Third World" problem, since poverty has been the main issue forcing underage girls to be mothers when they aren't ready in many poverty-stricken countries of Africa, South America, and Asia.
But now it has been a major concern in Europe and even the United States of America.
The causes of teenage pregnancy vary considerably. For example, in Africa, young girls from rural areas who arrive in the cities to work or study without proper living conditions often end up in prostitution.
Lack of education, without the awareness of dangers in sex, contributes to teenage pregnancy at a very fast rate.
In Asia, Africa, and in some developed countries, girls plagued by financial difficulties readily take men for money and, within a short period, become pregnant, and they bear the responsibilities alone if the men do not accept the responsibility.
Some girls who have reached their puberty believe that up to a certain stage in life, abstinence from sex could lead them to mental instability; thus, they are compelled to go for boyfriends.
Teenage pregnancy has a great effect in many ways. For example, it is the main cause of population growth, which leads to unemployment and accommodation problems.
In Africa, teenage pregnancy puts pressure on schools and hospitals. Since a teenage mother is not a fully adult, she and her child stand at risk because the mother's reproductive organs are not fully mature.
Measures: To arrest the incidence of teenage pregnancy, there is a need to intensify education on this issue at all levels. The old customs of chiefs and other royal leaders in Africa, marrying underage girls, must be abolished.
Finally, governments must take the impregnation of underage girls as a serious offense.
Joel Savage and Manu Dibango
Manu Dibango is perhaps one of the world's best jazz saxophonists. A true international superstar, with a career starting from the '50s. At 15, he was sent to Paris to prepare for a professional career.
He is a tireless globe-trotting musician. Last year, he played for hundreds of fans at the "Mano-Mundo festival" in Antwerp, and this year he was invited once again to play at the "Pole-pole festival" in Gent. Both cities are in Belgium. Now he speaks about his passion for music to me.
Joel: As an African musician, you have made such an enormous contribution to African music internationally. How do you feel about this achievement?
Manu: I'm glad I'm still in motion. I don't think of my past achievements. The most important thing is what I'm going to do tomorrow. I'm happy that I did what I did. Thanks be to God.
Joel: In 1972, your hit "Soul Makossa" stormed the world. Since then, you have still been on the music scene. What keeps you moving all these years?
Manu: Passion "La passion." What I would want African youths to have is passion. If you have the passion, you can easily accept suffering, and when there is no passion, you have to try to cultivate it. If you can't do that, then you can really bring out the best of yourself.
Joel: In 1985, you raised funds for the famine-stricken Ethiopia through your "Tam-tams for Ethiopia project" with Mory Kante and others. What do you feel about the present situation in Ethiopia?
Manu: Well, talking about Ethiopia is like talking about the whole African continent. A month ago, we played against AIDS and famine. We also played in Dakar. It is not only the music that is playing an important role in this issue of problems affecting Africa, but the activities of doctors, sportsmen, and journalists are also helping in various ways.
Joel: According to an international music magazine I read recently, you and the late Fela Anikulapo Kuti are among the world's best saxophonists. How do you feel about this?
Manu: It's interesting to hear that. You know that one doesn't play music for hours just to pass. But you play music because you are in love with music, and luckily, if it happens that people like what I'm proposing, then I'm happy.
Although music is a business, you don't start thinking of money from the initial stages when you are in music. First, you propose to the people what they want, and if they like it, then the money comes later.
Joel: Last year, I watched you playing at the Mano-Mundo festival when the frenzied crowd called for more songs. What was your experience at that moment?
Manu: Well, you can see that I'm still in motion. It happens that you share the music with the audience. That is the best happiness an artist can have.
I'm not alone on stage but with a group of musicians. So the more the music is successful, the happier the audience feels about the music. It's the responsibility of an artist to make his or her fans happy. That is a proposition. I'm always talking about a proposition.
Joel: This question comes from one of your fans who lives in the United States of America. He said I must ask you the reason you do always play in Africa and Europe but not in the USA?
Manu: If they want me there, I will be there. I go to every country that wants Manu. I have management, and those who want me to play in contact with my management. I have played in Canada and some parts of South America. I lived in America for two years in the '70s. The most important thing is that they love my music.
Joel: This is another question from one of your fans. He said that when he was young, he heard that you sued Michael Jackson for using "Makossa" in his music without your permission. Is it true?
Manu: Yes, that is true. It is a long-time story from 1986. But the problem was solved a long time ago.
Joel: I believe that you are now in your seventies. What is the secret behind your fitness?
Manu: If I have a secret of what keeps me young, then definitely I'm going to sell it. (He laughed) I told you before. It's a passion.
Joel: In 1994, you released "The Rough Guide of Manu Dibango." What do you have in store for your numerous fans worldwide?
Manu: Well, at the moment I have a big band in France. The name is "Marabuti." We have big projects presently and in the future, and we are going to the studios probably in the autumn for recording.
Joel: Sir, thank you very much for this interview.
Manu: You are welcome.
http://www.amazon.com/Passion-Reggae-African-Music-ebook/dp/B013L9A1JQ/
Africa is far behind in development after independence
My hope and belief is that Africa can be a model for the world in finding a balance between the needs of the people and the needs of the world.
Watching the hurricane disaster in New Orleans and the thousands of people left homeless and destitute in the United States of America, I began to imagine how blessed and privileged we are as Africans.
Many of the problems Africans are facing were caused by man. Poverty, hunger, HIV/Aids, malaria, disease, corruption, fraud, and poor governance are caused by human negligence.
How do we explain the natural violence sweeping across the United States of America or Asia? Are there any lessons in all these for the world to learn, and most especially the Africans?
We are the cause of our suffering in Africa. Instead of the leaders addressing the problems affecting the countries, they are looking to the advanced world for help.
What is the significance of the independence our past leaders fought for? African leaders have a responsibility on their shoulders. They should be reminded.
